SescTV collection shows Mulheres Negras no Audiovisual – ANF

A scene from the film “Ashes” (Credit: Disclosure).

SescTV presents an audiovisual collection of Mulheres Negras within the +CURTAS program for the month of July. Curated by Renata Martins, the 9 movies are a variety from a latest crop of quick movies made by Black girls. Works can be found on demand on the channel’s web site.

Selections 13 by way of 20 are a part of the (re)survival of Black People collection, which options materials about black personalities and traverses the genres of animation, social commentary, poetic narratives, horror, romance, and documentary.

Cesc Sao Paulo’s motion refers to May thirteenth (Lei Auria) and November twentieth (Black Consciousness Day) and goals to advertise black individuals’s struggles and achievements, expressions and equality. , contributing to a society free from racism and different types of domination.

In the tales, the work and lifetime of the characters of assorted forms of every day life are depicted. Sample, directed by Ana Julia Travia, tells the basic love story of a younger black couple residing in a city filled with white reminiscences.

A scene from the film “Meat”. (Credit: Disclosure).

In the thriller Carney, directed by Mariana Jasp, the story explores the expectations of a pair’s relationship. The dialog turns into an argument, till one among them is shocked by a shadowy presence often known as Aman, a creature hungry for human flesh that makes use of psychological tips to lure its victims.

Thais Scabio directed Barco de Papel, which tells the story of a 9-12 months-previous boy, Peninha. A boy’s fertile creativeness takes him from a tough life on the town streets to a world of phantasm.

Rainha tells the story of Rita, who fulfills her dream of changing into the drummer queen of her group’s samba faculty; However, she should combat darkish forces to observe her future. Sabrina Fidalgo’s movie is a poetic imaginative and prescient of desires and faith.

The duo of Gemil Coelho and Cynthia María directed the animation Corasos Encoracados, about Certenejo couple Ana and João and the influence of drought on their lives. The movie is about discovery, loss, longing and despair, but additionally about hope.

Larissa Fulana de Tal is the one who signed Sinzas, a narrative tailored from the eponymous quick story by creator Davey Nunes. The quick shows how a college scholar in Salvador (BA) lives with the standard hardships of massive cities: crowded buses, police and isolation.

Vó, a Senhora é lesbica? by Bruna Fonseca and Larissa Lima? The plot of, was taken from a brief story of the identical title, written by Natalia Borges Poleso. The story follows Joanna, a younger college scholar who offers with the method of discovering her sexuality, whereas attending to know her grandmother and herself.

Mariana Campos and Raquel Beatriz had been the administrators of Tia Siata, a brief documentary about Hilaria Batista de Alameda aka Tia Siata from the angle of black girls’s visibility in Brazilian society.

A scene from the film “The Woman I Was”. (Credit: Disclosure).

In the story about feminine suffocation, by Karen Suzanne, Kakau is a married girl and, in her every day routine, she confronts her reminiscences. In the dream context, reminiscences cope with previous moments of oppression.


+Shorts: , on SescTV
Available on demand on the web site

Film Selection:

Sample – quarter-hour

Director: Ana Julia Travia | Brazil | 2018 | 10 years

Meat – 11 minutes

Director: Mariana Jasper | Brazil | 2018 | 16 years

Paper Boat – 14 minutes

Director: Thais Scabio | Brazil | 2018 | Free

Rani – half-hour

Director: Sabrina Fidalgo | Brazil | 2016 | 12 years

Armored Hearts – quarter-hour

Director: Gemil Coelho and Cynthia Maria Brazil | 2019 | 10 years

Ash – quarter-hour

Director: Larisa Fulana de Tal | Brazil | 2015 | Free

Grandma Lady is a Lesbian – 17 min

Director: Bruna Fonseca and Larissa Lima | Brazil | 2018 | 12 years

Aunt Siata – 26 minutes

Director: Mariana Campos and Raquel Beatriz | Brazil | 2017 | 10 years

The Woman I Was – 11 minutes

Director: Karen Suzanne | Brazil | 2018 | 12 years

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